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 in mezzotint under his supervision by Charles Turner, William Say, Dunkarton, Clint, Easling, Dawe, Lupton, S. W. Reynolds, Hodgetts, and F. C. Lewis. The price of these plates varies from two to three guineas to twelve to fifteen guineas apiece. It is here that mezzotint achieved a new distinction in rendering with wonderful gradation of tone the romantic effects of landscape. The Liber stands as the greatest achievement in landscape executed in mezzotint. To Irish readers there is for study the fine collection of the prints generously presented by Mr. Stopford Brooke to the National Gallery in Dublin, and in London the working drawings by Turner repose in the basement of the National Gallery. We make the suggestion that this series of sketches in sepia would better serve its purpose and be of greater educative value if adjacent to each drawing a print of the same subject were framed.

Turner's "Harbours of England," a dozen in number, engraved by T. Lupton, with text by Ruskin, appeared in 1856. The "River Scenery" is a set of eighteen plates after Turner and Girtin, engraved by Lupton, C. Turner, Phillips, W. Say, J. Bromley, and S. W. Reynolds. Open-letter proofs of this series, dated 1827, may be bought separately at about six shillings each. Next to the Liber this is the finest mezzotint landscape series ever issued. Fifteen plates are after Turner and three after Girtin. Arundel Castle is the scarcest of them all, and fetches a guinea; early-print impression, Norham Castle, lettered, India-proof, half a