Page:Charles Moore--Development and Character of Gothic Architecture.djvu/351

Rh of the nave, 207 (cut);—apse, 94 (cut);—apsidal aisles, 100 (cut), 101;—bases in the choir, 211 (cut), of the triforium of the nave, 212 (cuts), of engaged shafts of westernmost piers, 213 (cut);—buttresses, 53, 112; capitals of vaulting shafts in choir and nave, 55-57 (cuts), of the piers, 202, of the westernmost pier of the nave, 65-66 (cut), of the triforium of the choir, 202, 204 (cut), 270; of the triforium of the nave, 202, 205 (cut), 271, 272 (cut), 273, of the chapel of the catechists, 274 (cut);—clerestory, 69, 85 (cut), 88, 90;—cornice or drip moulding, 215 (cut);—façade, 108 (cut);—glass, 304;—impost, 221;—niches, 254;—piers, 53, sixth pier of the nave, 62 (cut), 67 (cut); seventh or westernmost pier, 63 (cuts);—portal of south transept, 261;—rib sections, 219;—sculpture, 25, of the south door of west front, 255, of west façade, 259-261 (cut), of portal of south transept, 261, of portal of north transept, 262 (cut), of a hood moulding, grotesque figure, 266 (cut), of the archivolts of the façade, 266 (cut), 276 (cut), of the Porte Rouge, 280 (cut);—statues of the buttresses, 254;—tracery in clerestory, 85 (cut), 89;—transept, 102;—triforium string, 216 (cut);—vaulting shafts and piers, 53; intended for quadripartite vaults, 54-57 (cuts);—vaults, 52, repairs and changes in the 13th cent., 86, vaults of the choir, 38, of the apse, 94 (cut), of the apsidal aisles, 100 (cut); Virgin of north transept portal, 262 (cut).
 * Church of St. Denis. See St. Denis.
 * Church of St. Germain des Pre's, 51; buttresses, 17, 80, 82; longitudinal arch of vault in the choir, 68.
 * Church of St. Julien-le-Pauvre, capitals, 270.
 * Church of St. Martin des Champs, 32; rib sections, 218 (cut).
 * Sainte Chapelle, 19; painting in the wall arcades, 298; glass, 304.

Parker, on the style of the choir of Lincoln Cathedral, 134, 140.

Pavia, church of S. Michele, 8, 9; piers, and vaults, 40 (cut), 41 (cut).

Perpendicular style, English, 313.

Perspective, in decorative design, 307.

Peterborough, cathedral, its Norman nave contemporary with Canterbury and Lincoln, 143; façade, 165; sculpture of west front, 288.

Piers, volume reduced in Gothic architecture, 18; general character in Gothic architecture, 19; alternate arrangement, 40-42; developments in the I3th cent., 61; use of round columns, 61; reinforced by engaged shafts, 64; by detached shafts, 66.
 * Of the cath. of Amiens, nave, 64;—Bourges, 59;—the Abbaye-aux-Dames, at Caen, 153 (cut);—the Abbaye-aux-Hommes at Caen, 40, 42 (cut);—the cath. of Chartres,. nave, 73;—the ch. of Notre-Dame at Dijon, 60;—Jumiéges, 42;—the cath. of Laon, 58, nave, 66 (cut);—the ch. of Mantes, 57;—the cath. of Noyon, choir, 49, 63, nave, 50;—Paris, 53, intended for quadripartite vaults, 54 (cuts), sixth pier from transept in nave, 62 (cut), 67 (cut), seventh or westernmost, 63 (cuts);—the ch. of St. Denis, 76 (cut), choir, 37;—St. Leu d'Esserent, nave, 72;—the cath. of Senlis, 43-47 (cuts);—Sens, 60; Soissons, choir, 66-67 (cuts).
 * English, never structurally complete and functional, 157;—of Canterbury cath., choir, 130, at transept crossing, 138 (cut);—Chichester, 132 (cut);—Ely, transept, 63;—Lincoln, choir, 136-138 (cuts), 140, nave, 145 (cut), presbytery, 155;—Malmesbury Abbey, 125;—the ch. of St. Mary, New Shoreham, 141;—Norwich cath. ,42;—Salisbury, nave, 150, chapter-house, 168;—Wells, 150.
 * Of the cath. of Bamberg, 172 (cut);—the Breslau Kreuzkirche, 175;—the cath. of Magdeburg, 172—Speyer, 171 (cut).
 * Of the ch. of S. Petronio in Bologna, !88;—the cath. of Florence, 187-188 (cuts); the ch. of Sta. Croce, 185; the ch. of Sta. Maria Novella, 185 (cut);—the ch. of San Michele in Pavia, 40 (cut), 41 (cut);—the ch. of the Krari in Venice, 189.
 * In Spanish pointed buildings of the early 13th cent., 195.
 * See also Vaults.

Pier arches, generally equilateral in France and frequently in England. 149; the Anglo-Norman type lancet, 149. See also Piers.

Pilaster strip, in Romanesque buildings, in (cut).

Pinnacle on buttresses, evolution of, 83;—of the cath. of Amiens, 81;—of the cath. of Reims, 84;—of the ch. of Sta. Maria della Spina. purely decorative features, 191.

Pisa, the sculptors of, 294-296.
 * Cathedral, 28; façade compared with Lincoln, 162; sculptures of the