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 follies, Seneca took the death of Burrhus as an opportunity to retire. Then Nero, freed from the last person who still retained any influence over him, gave himself up entirely to the insane swirl of his caprices. He ended one day by presenting himself in the theatre of Naples. Naples was yet then a Greek city. Nero had chosen it for this reason; he was applauded with frenzy. But the Italians of the other cities protested: the chief of the Empire appearing in a theatre, his hand on the zither and not on the sword! Imagine what would be the impression if some day a sovereign went on the stage of the folies Bergères as a "number" for a sleight-of-hand performance!

Public attention, however, was turned from this immense scandal by a frightful calamity--the famous conflagration of Rome, which began the nineteenth of July of the year 64 and devastated almost all quarters of the city for ten days. What was the cause of the great disaster? This very obscure point has much interested historians, who have tried in vain to throw light on the subject. As far as I am concerned, I by no means exclude the hypothesis that the fire might have been accidental. But when they are crushed under the weight of a great misfortune, men always feel sure that they are the victims of human