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 youth--the fact is not surprising--did not resist the mortal seductions of immense power and immense riches; but Agrippina, the proud granddaughter of the conqueror of Germany, must have chafed at the idea of her son's preferring musical entertainments to the sessions of the Senate, singing lessons to the study of tactics and strategy.

She applied herself, therefore, with all her energy to the work of tearing her son from his pleasures, and bringing about his return to the great traditions of his family. Nero resisted: the struggle between mother and son grew complicated; it excited the passion of the public, which felt that this conflict had a greater importance than any other family quarrel, that it was actually a struggle between traditional Romanism and Oriental customs. Unfortunately, every one sided with Nero: the sincere friends of tradition, because they did not want the rule of a woman, whoever she might be; those that longed for Messalina's times, because they saw personified in Agrippina the austere and inflexible spirit of the gens Claudia. The situation was soon without an issue. The accord of Agrippina with Seneca and Burrhus was troubled, because the two teachers of the young Emperor, under the impression