Page:Character of Renaissance Architecture.djvu/309

Rh Italian domestic architecture, 102; unwise admixture of classic elements in, 107, 109; spirit of display in, 105, 110.

Italian genius for painting, 6, 7.

Jamb shafts, tapering, 137 (cut), 142, 149, 150.

Jones, Inigo, his work on Kirby Hall, England, 2183; influence of Vitruvius and Palladio on, 226, 227; travel and study in Italy, 227; Stonehenge Restored, 227 Whitehall, 227-230 (plate and cut); Banqueting Hall, London, 227 (plate); had no true conception of the principles of classic art, 230; old St. Paul's west front, 230-232 (cut); the spirit of his architecture theatrical, 232.

Julius II, Pope, the building of St. Peter's, 44,46.

Kent, William, The Designs of Inigo Jones, consisting of Plans and Elevations for Publick and Private Buildings, 229$2$; scheme for the palace of Whitehall, London, 229; old St. Paul's cathedral, west front, 231 (cut).

Lantern of Florence dome, 25; St. Peter's, Rome, Bramante's plan, 52 (cut); ch. of Santo Spirito, Florence, 83.

Leafage, Greek and Roman compared, 174-176 (cuts); Renaissance, 175.

Lescot, Pierre, 194; Fountain of the Innocents, Paris, 194-196 (cut); influence of Serlio, 196; west wing of the Louvre, 196-200 (cut).

Letarouilly, Edifices de Rome Moderne, 72$1$; cited on ch. of Sant' Agostino, Rome, 72.

Loftie, W. J., Inigo Jones and Sir Christopher Wren, 242$1$.

Lombard blind arcade recalled in the ch. of Santa Maria dei Miracole, Venice, 151 (cut).

Lombard Romanesque architecture, towers, 82.

Lombard Romanesque, style modified by neo-classic elements mark the Renaissance architecture of northern Italy, 144; a porch which forms a model from which an illogical Renaissance portal is derived, 145 (cuts).

Lombardi, the, 149; architectural carving of, 169 (plate).

Lombardo, Martino, Scuola di San Marco, Venice, façade, 156.

Lombardo, Pietro, 149; ch. of Santa Maria dei Miracole, Venice, 151 (cut); Palazzo Corner-Spinelli, Venice, 160 (plate).

Lombardo, Tullio, 149; ch of San Salvatore, Venice, 150.

London, St. Paul's cathedral, west front of old structure by Inigo Jones, 230, 232 (cut); Wren ordered to submit designs for the restoration of, 234; his drawings for the new structure, 235-238 (cuts); rejected scheme with details of its dome, 235. 236 (cut); likeness of dome to Bramante's scheme for St. Peter's, 236; likeness to Michael Angelo's scheme, 237; façade of the second design a close copy of Inigo Jones's, 238; present structure never embodied in any set of drawings, 239; plan has no beauty comparable to that of St. Peter's, 239 (cut); comparison of, with St. Peter's, 236, 239, 241, 243, 245; plan and elevation, 239; dome, 239-242 (plate); recalls Bramante's San Pietro in Montorio, 239; structural system of, 240 (cut); vaulting of the nave has somewhat the effect of Gothic vaulting, 243; use of attic wall in support of vaulting, 243; neoclassic orders of the interior, 244, 245 (cut); intersecting of archivolt and entablature, 244; concealing of the buttresses, 244, 245 (cut); vaulting of the apse, 245.


 * Whitehall, Banqueting Hall, 227 (plate); of Palladian design, 228; orders of the façade, 228; scheme for the palace illustrated by Kent, 229; plan is French in character rather than Italian, 229; order of the basement has a structural character, 229 (cut); façade of circular court, orders of, 230.


 * Church of St. Stephen's, 246; ch. of St. Bride's, 246; ch. of St. Mary-le-Bow, 246; ch. of St. Peter's, Cornhill, 246.

Longhena, architect, Palazzo Pesaro, Venice, 163.

Maderna, the western bays of St. Peter's, Rome, 68.

Majano, Benedetto da, the Palazzo Strozzi, Florence, 106.

Mantua, church of Sant' Andrea, 38-42 (cut and plate); erected and ornamented on Roman models, 38; nave, 38 (plate); piers, 38, 39, 53; its interior one of the finest of the Renaissance, 39; its scheme foreshadows that of St. Peter's, 39, 53; façade, 39-42 (cut); early use of so-called colossal order, 40 (cut), 53, 66; resemblance of central arch to that of ch. of Santa Maria Novella, Florence, 41; panelled pilasters, 41, 160; reflection of, seen in Bramante's church of San Satire of Milan, 138.

Martin, Hist, de France, 180$1$.

Mathematici, Parere di tre, sopra i danni che si sono trovato nella cupola di S. Pietro, etc., 601.