Page:Character of Renaissance Architecture.djvu/260

2l8 however, that whatever flimsiness of material entered into the composition of these buildings was confined to ornamental details, and chiefly to the interiors. The main body of the Elizabethan structure was of solid and well-executed masonry. Mr. Bloomfield points out that these houses were built by Englishmen and ornamented by foreigners. And it is certainly true that in plan and outline they have little foreign character. Most of the plans of the native architect, John Thorpe, appear, indeed, to show a French influence, but in the larger features of the elevation they are English. It is thus in the ornamental details chiefly, which seem to have been wrought in part by foreigners and in part by native craftsmen striving to conform to foreign ideas, that we find the strangest aberrations of design. A few examples will serve to show the character of this art.

The façade of the north side of the court of Kirby Hall, for instance, is divided into bays by colossal pilasters of hybrid style, which have not even a semblance of structural meaning, since they carry only ressauts of an entablature, the total height of which is less than the diameters of the pilasters. From each of these ressauts rises a slender pedestal, against a low attic wall, surmounted by finials resting upon the cornice (Fig. 128). The central bay, enclosing the entrance to the court, is wider than the others, and the pilasters here are panelled, and have arabesques in relief, while the others are fluted. The façade is in two stories, their division being marked by an entablature; the lower story has an open arcade, while the upper one has a rectangular window in each bay crowned with a pediment.

The general scheme has no English character, and it so nearly resembles that of the court of Charleval, in France, (cf. p. 212) as to suggest that its designer may have been influenced by the French composition. The effect of the scheme,