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Rh fine, sweet, noble, beautiful. Have I not the same right to use these words in describing what I feel as you have in describing what you see? They express truly what I feel in the hand. I am seldom conscious of physical qualities, and I do not remember whether the fingers of a hand are short or long, or the skin is moist or dry. No more can you, without conscious effort, recall the details of a face, even when you have seen it many times.



If you do recall the features, and say that an eye is blue, a chin sharp, a nose short, or a cheek sunken, I fancy that you do not succeed well in giving the impression of the person,—not so well as when you interpret at once to the heart the essential moral qualities of the face—its humor, gravity, sadness, spirituality. If I should tell you in physical terms how a hand feels, you