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Rh uttered a word, or any sound that resembled one, she quickly and smoothly made a sentence of it, as if she were quite accustomed to talking in this way and expected only monosyllables from strangers. She was kind, even a little playful with him; but he felt it was all good manners, and that underneath she was not thinking of him at all. When he was alone in the tile-floored sleeping room upstairs, unrolling his blankets and arranging his shaving things, he looked out of the window and watched her where she sat sewing under the cherry tree. She had a very sad face, he thought; it wasn’t grief, nothing sharp and definite like sorrow. It was an old, quiet, impersonal sadness,—sweet in its expression, like the sadness of music.

As he came out of the house to start back to the barracks, he bowed to her and tried to say, “''Au revoir, Madame. Jusq’au ce soir''” He stopped near the kitchen door to look at a many-branched rose vine that ran all over the wall, full of cream-coloured, pink-tipped roses, just a shade stronger in colour than the clay wall behind them. Madame Joubert came over and stood beside him, looking at him and at the rosier. “Oui, c’est joli, n’est-ce pas?” She took the scissors that hung by a ribbon from her belt, cut one of the flowers and stuck it in his buttonhole. “Voilà” She made a little flourish with her thin hand.

Stepping into the street, he turned to shut the wooden door after him, and heard a soft stir in the dark tool-house at his elbow. From among the rakes and spades a child’s frightened face was staring out at him. She was sitting on the ground with her lap full of baby kittens. He caught but a glimpse of her dull, pale face.