Page:Castes and Tribes of Southern India, Volume 3.djvu/147

Rh extinguished, the metal left to cool and solidify, and the clay coating removed. A crude approximation to the image required is thus obtained, which is improved upon with file and chisel, till the finished product is a far more artistic article than the figure that was enclosed within the clay. It is thus seen that every idol is made in one piece, but spare hands and feet are supplied, if desired. Whenever necessary, the Archaka (temple priest) conceals the limbs with cloth and flowers, and, inserting at the proper places little pieces of wood which are held in position by numerous bits of string, screws on the spare parts, so as to fit in with the posture that the idol is to assume during any particular procession."

An association, called the Visvakarma Kulābhimana Sabha, was established in the city of Madras by the Kammālans in 1903. The objects thereof were the advancement of the community as a whole on intellectual and industrial lines, the provision of practical measures in guarding the interests, welfare and prospects of the community, and the improvement of the arts and sciences peculiar to them by opening industrial schools and workshops, etc. Of proverbs relating to the artisan classes, the following may be noted: —


 * The goldsmith who has a thousand persons to answer. This in reference to the delay in finishing a job, owing to his taking more orders than he can accomplish in a given time.


 * The goldsmith knows what ornaments are of fine gold, i.e., knows who are the rich men of a place.


 * It must either be with the goldsmith, or in the pot in which he melts gold, i.e., it will be found somewhere in the house. Said to one who is in search of something that cannot be found.