Page:Castes and Tribes of Southern India, Volume 2.djvu/547

Rh Mr.W. Francis informs us * that "in Bellary wood-carving is done by Jīnigāras, who have taught the art to some Muhammadans, who are now often more skilful than their teachers. Two of them made a teak doorway, carved in the Chālukyan style, which obtained a medal at the Arts Exhibition at the Delhi Darbar, and is now in the Madras Museum." At Nandyāl in the Kurnool district, I recently saw a Jīnigar, who makes "lacquer" (gesso) fans, trays, large circular table tops, etc., and paintings of Hindu deities and mythological subjects. He made a number of panels used in the dado of Lady Curzon's boudoir at the circuit house, Delhi. A medal was awarded to him for his gesso ware at the Delhi Exhibition, but it was, in colouring, inferior to that of the collection which was sent to the Indo-Colonial Exhibition in 1886. The "lacquer" ware of Kurnool has been said to be perhaps the finest Indian gesso work produced anywhere. The work turned out at Mandasa in Ganjam is much bolder, and suitable for decoration on a large scale. A similar method of decoration was formerly largely used in Saracenic architectural decoration of interiors in various countries. The patterns of the Kurnool ware are floral, and in slight relief, and the colours are very bright with much gilding. At Nossam, in Ganjam, leather dishmats are painted with pictures of deities and floral designs. Native circular playing-cards, and fans made of palmyra leaves or paper and cloth "lacquered" and painted in brilliant colours, are also made here. In the Nellore district, the Jīniga-vāndlu make toys, pictures, and models in paper and pith. At Trichinopoly, very elaborate and accurate models of the