Page:Cassell's Illustrated History of England vol 1.djvu/149

A.D. 1000 TO 1200.] the schools of the Middle Ages, in which all secular knowledge, as well as religious doctrine, was cultivated. Previous to the invention of printing, books were transcribed with great pains and labour. Not only was the mere task of copying a book by hand a work of considerable time, bu the illuminations or embellishments with which the more valuable manuscripts were adorned, were executed with a degree of care and finish demanding great skill and industry. The annexed engravings are copied with scrupulous fidelity from various MSS. still extant, and serve to show some of the different kinds of writing which are found in those documents. Many of the MSS. also contain on each page paintings representing scenes either connected with the narrative in the text or otherwise. Sometimes they are ornamented with portraits of saints, kings, or other great men. These figures, as well as the other ornamental portions of the work, are brilliantly coloured, and are often represented on a gold ground.



The ancients wrote upon various substances, including stone, metals, leaves of different kinds of trees, wood, ivory, wax, skins of animals more or less prepared, and papyrus, which was the inner bark of a reed. The plant is found on the banks of the Nile, grows several feet high, and bears leaves. Papyrus was used by the Egyptians and Romans, and was commonly employed from a remote period until the eleventh century. The most ancient bulls of the Popes were written on papyrus.

The parchment used was of various kinds; that which was the finest and whitest being used for the most valuable manuscripts. For gilding upon parchment our ancestors employed both gold powder and leaf gold, which was fixed upon a white embossment, generally supposed to be a calcareous preparation. The subjects of the paintings were taken from sacred or profane history, but the artist invariably represented the costume and customs of his own time, and to these illuminations we owe most of the knowledge we possess of those customs. The Anglo-Saxons displayed proficiency in this branch of painting at an early period; and though it is not easy to trace the rise and progress of the art, there is evidence of its flourishing condition from the eighth to the eleventh centuries, in the numerous manuscripts of that date, which still remain both in our own country and in the collections on the Continent.



Previous to the introduction of Christianity, the Anglo-Saxons possessed no literature worthy of the name. It is not, however, to be supposed that the people were destitute of intellectual power; for when our forefathers began to apply themselves to the pursuit of knowledge, the progress of literature was remarkably rapid. Within one hundred years after the light of knowledge dawned upon the Anglo-