Page:Cartoon portraits and biographical sketches of men of the day.djvu/85

 with gold figures, over which were worked pomegranates, polyanthuses, and passion-flowers, in ruby, amethyst, and smaragd. The drops of dew which the artificers had sprinkled on the flowers were of diamonds. The hangings were overhung with pictures yet more costly. Giorgione the gorgeous, Titian the golden, Rubens the ruddy and pulpy (the Pan of painting), some of Murillo's beatified shepherdesses, who smile on you out of darkness like a star; a few score of first-class Leonardos, and fifty of the masterpieces of the patron of Julius and Leo, the imperial genius of Urbino, covered the walls of the little chamber. Divans of carved amber, covered with ermine, went round the room, and in the midst was a fountain pattering and babbling into jets of double-distilled otto of roses.

'Pipes, Goliath!' Rafael said gaily, to a little negro with a silver collar (he spoke to him in his native tongue of Dongola); 'and welcome to our snuggery, my Codlingsby.'

Her hair had that deep glowing tinge in it which has been the delight of all painters, and which therefore the vulgar sneer at. It was of burning auburn, meandering over her fairest shoulders in twenty thousand minute ringlets; it hung to her waist, and below it. A light-blue velvet fillet, clasped with a diamond aigrette, valued at two hundred thousand tomauns, and bought from Lieutenant Vicovich, who had received it from Dost Mahomet, with a simple bird of Paradise, formed her head-gear. A sea-green cymar, with short sleeves, displayed her exquisitely-moulded arms to perfection, and was fastened by a girdle of emeralds over a yellow-satin frock. Pink-gauze trousers, spangled with silver, and slippers of the same colour as the band which clasped her ringlets (but so covered with pearls, that the original hue of the charming papoosh disappeared entirely), completed her costume. She had three necklaces on, each of which would have dowered a princess; her fingers glittered with rings to their rosy tips; and priceless bracelets, bangles, and armlets wound round an arm that was winter than the ivory grand-piano on which it leaned.

Compare Thackeray's admirable caricature with Disraeli's own serious production:

A fountain rose in the centre of the quadrangle, which was surrounded by arcades. Ranged round this fountain, in a circle, were twenty saddled steeds of the highest race, each held by a groom, and each attended by a man-at-arms. All pressed their hands to their hearts as the Emir entered, but with a gravity of countenance which was never for a moment disturbed. Whether their presence were habitual, or only for the occasion, it was unquestionably impressive. Here the travellers dismounted, and Fakredeen ushered Tancred through a variety of saloons, of which the furniture, though simple, as becomes the East, was luxurious, and, of its kind, superb; floors of mosaic marbles, bright carpets, arabesque ceilings, walls of carved cedar, and broad divans of the richest stuffs of Damascus.

'And this divan is for you,' said Fakredeen, showing Tancred into a chamber, which opened upon a flower-garden, shaded by lemon trees. 'I am proud of my mirror,' he added, with some exultation, as he called Tancred's attention to a large French looking-glass, the only one in Lebanon. 'And this,' added Fakredeen, leading Tancred through a suite of marble chambers, this is your bath.'