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 to us real persons we know well: the France, Italy, Holland, and Germany of the time of Erasmus are faithfully reproduced. The interest never flags: there is always something to command attention and excite curiosity. 'The Cloister and the Hearth' is one of the most scholarlike and learned, as well as one of the most artistic and beautiful, works of fiction in any language. This splendid production can only be compared with the best books of one author Walter Scott. And in all things it is as good as 'Kenilworth' and 'Ivanhoe:' in some points it is better. Although we place two of Charles Reade's books first in their respective classes—'Foul Play' in the class of novels called sensational, and 'The Cloister and the Hearth' in that of the purely imaginative—yet his books, taken throughout, are of more even merit than those of almost any other novelist. They are written in English as pure, as simple, and as truly Saxon as any this century has produced: in a literary style—nervous, vigorous, and masculine—with which the most captious and partisan critic cannot find any fault.

Read him: resign yourself to the magic spell of his genius, and be lifted above the cares of everyday life into the regions of imagination, peopled by his real creations. You may be trusted then to draw your own conclusions as to the merit of his books.

By the million readers of the time to come, Bulwer, Dickens, Thackeray, and Reade will be handed down to fame together in every English-speaking country.

To the scholar and the man of culture, 'The Cloister and the Hearth' may possibly be dearer than the humorous and wonderful creations of Dickens's fertile genius, or the life-like characters and satirical digressions of Thackeray.