Page:Caroline Lockhart--The Fighting Shepherdess.djvu/87

 To be shabby from carelessness was one thing—to be so from necessity was another, clearly was in Mrs. Pantin's mind. She had known, of course, of the collapse of their cattle-raising enterprise, but she had not dreamed they were in such a bad way as this. She hoped she was not the sort of person who would let it make any difference in her warm friendship for Delia Toomey; nevertheless, Mrs. Toomey detected the subtle note of patronage in her voice when she said:

"Abram is alone in the living room—you might speak to him."

"I think I will." Mrs. Toomey endeavored to repair the mistake she felt she had made by speaking in a tone which implied that a loan was of no great moment after all, but she walked out with the feeling that she used to have in the presence of the more opulent members of her father's congregation when the flour barrel was low.

Mrs. Toomey was not too agitated to note how immaculate and dainty the dining room table looked with its fine linen and cut glass. There were six dices of apple with a nut on top on the handsome salad plates, and the crystal dessert dishes each held three prunes swimming their rich juice.

The living-room, too, reflected Mrs. Pantin's taste. A framed motto extolling the virtues of friendship hung over the mantel and the "Blind Girl of Pompeii" groped her way down the staircase on the neutral-tinted wall. A bookcase filled with sets of the world's best literature occupied a comer of the room, while ooze leather copies of Henry Van Dyke gave an unmistakable look of culture to the mission table in the center of the room. A handsome leather davenport with a neat row of sofa pillows along the back, which were of Mrs. Pantin's own handiwork, suggested luxurious ease. But the chief attraction