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 jalousies were opened wide, and the ocean breeze flowed in through the room, an invisible current of coolness and health. Goodwin’s wife sat near one of the windows, making a water-color sketch of the afternoon seascape.

Here was a woman who looked to be happy. And more—she looked to be content. Had a poet been inspired to pen just similes concerning her favour, he would have likened her full, clear eyes, with their white-encircled, gray irises, to moonflowers. With none of the goddesses whose traditional charms have become coldly classic would the discerning rhymester have compared her. She was purely Paradisaic, not Olympian. If you can imagine Eve, after the eviction, beguiling the flaming warriors and serenely re-entering the Garden, you will have her. Just so human, and still so harmonious with Eden seemed Mrs. Goodwin.

When her husband entered she looked up, and her lips curved and parted; her eyelids fluttered twice or thrice—a movement remindful (Poesy forgive us!) of the tail-wagging of a faithful dog—and a little ripple went through her like the commotion set up in a