Page:Buddenbrooks vol 2 - Mann (IA buddenbrooks0002mann).pdf/82



mounted the stairs to the second storey, left the little balcony on her right, went along the white-and-gold balustrade and through an ante-chamber, the door of which stood open on the corridor, and from which a second exit to the left led into the Senator’s dressing-room. Here she softly turned the handle of the door opposite and went in.

It was an unusually large chamber, the windows of which were draped with flowered curtains. The walls were rather bare: aside from a large black-framed engraving above Ida’s bed, representing Giacomo Meyerbeer surrounded by the characters in his operas, there was nothing but a few English coloured prints of children with yellow hair and little red frocks, pinned to the window hangings. Ida Jungman sat at the large extension-table in the middle of the room, darning Hanno’s stockings. The faithful Prussian was now at the beginning of the fifties. She had begun early to grow grey, but her hair had never become quite white, having remained a mixture of black and grey; her erect bony figure was as sturdy, and her brown eyes as bright, clear, and unwearied as twenty years ago.

“Well, Ida, you good soul,” said Frau Permaneder, in a low but lively voice, for her brother’s little story had put her in good spirits, “and how are you, you old stand-by, you?”

“What’s that, Tony—stand-by, is it? And how do you come to be here so late?”

“I’ve been with my brother—on pressing business. Unfortunately, it didn’t turn out.—Is he asleep?” she asked, and gestured with her chin toward the little bed on the left wall, its head close to the door that led into the parents’ sleeping chamber. RV 72 (72)