Page:Bryan's dictionary of painters and engravers, volume 1.djvu/515

 The Magdalene ; half-length. The Magdalene in the Desert, before a Crucifix. Tarquin and Lucretia. 1571. Diaua and Calisto. Prometheus. 1566. Eogero liberating Angelica from the Dragon. After Girolamo JTutiano. St. Peter walking ou the Water. 1563. Christ crowned with Thorns. Christ bearing his Cross. The Descent from the Cross, with two Ladders. The Descent from the Cross, with four Ladders. Christ appearing to the Marys. St. Jerome in Meditation. A set of seven Landscapes, with Figures, called the Seven Penitents ; St. Jolrn the Baptist, St. Mary Magdalene. St. Jerome, St. Onophrius, St. Hubert, St. Francis with the Stigmata, and St. Francis in devotion. After Giulio Clovio. The Annunciation. The Adoration of the Magi, in the form of an Altar. The Virgin and Infant ; half-length. Christ preaching in the Temple. The Baptism of Christ. The Crucifixion between the two Thieves. Another Crucifixion ; a grand composition. 1568. The dead Christ, with the Marys. The Entombment of Christ. Christ appearing to Mary Magdalene. The Conversion of St. Paul. St. George and the Dragon. After TadJeo Zuecaro. The Creation of Adam and Eve. The Presentation in the Temple. The Nativity ; a rich composition. The Holy Family, with St- John and his Lamb. The Miracle of the Loaves. The Entombment of Christ. The Descent of the Holy Ghost. The Martyrdom of St. Agatha. After Ftderiyo Zuecaro. Moses and Aaron before Pharaoh. 1567. The Birth of the Virgin. 1578. The Conception of the Virgin. The Annunciation. 1571. The Nativity. 1563. The Adoration of the Magi. The Holy Family, with the Infant. The Flight into Egypt. The Adulteress before Christ. Christ tempted in the Wilderness. Christ driving the Buyers and Sellers from the Temple. The Resurrection of Lazarus. The Woman of Samaria. Christ on the Mount of Olives. Christ taken in the Garden. The Death of the Virgin. The Coronation of the Virgin. The Calumny of Apelles. After Raphael. The Transfiguration. 1573. The Battle of the Ptomans, called the Battle of the Ele- phants. {He etiifraved also a reverse of this plate. i The Battle of Constantine with Maxentius.

SUBJECTS AFTER VARIOUS ITALIAN MASTERS.

Parnassus; after Pclidoro da Caravaytjio. The Adoration of the Shepherds ; after the same. The Kepose in Egypt ; after B. Bassano. The Visitation of the Virgin to St. Elizabeth ; after Marco da Siena. The Nativity ; after the same. The Adoration of the Shepherds ; after Paris Romano. The Holy Family ; after F. Barocci. 1577. The Baptism of Chnst ; after F. Saltiati. The Marriage at Cana ; after Lorenzo Salibatini. The Last Supper ; after Livio Agresti. The Stoning of Stephen ; after JTarcello Venusti. St Jerome penitent ; after Riccio da Siena. St. Jerome in the Desert, with two Angels ; after Jacobus Farmtnsis. The Cord of St. Francis ; after Carracci. The Marriage of St. Catharine ; after Correggio. St. Jerome ; after the same. St. Margaret of Cortona ; after Tempesta. A Dance of Dryads ; after II Rosso. The T'hree Fates ; after Giulio Romano. The two Tombs of the Medici ; after Michelangelo.

CORT, Hexdrik de. See De Cort.

CORTBEMDE, Balthasar van', the son of a picture-dealer, was a painter of Antwerp, who was born in 1612, married Ursula, a sister of Jan van den Hoecke, the painter, and died between 1663 and 1670. He studied under Jan Blanckaert, and was considered among the better class of the masters of his century. A ' Good Samaritan ' in a land- scape by him (1647) is in the Antwerp Museum.

CORTE, Cesare, the son of Valerio Corte, was bom at Genoa in 1550, and studied under Luca Cambiaso. According to Baldinucci, he was one of the most noted portrait painters of his time : he also painted historical subjects with considerable success. He visited France, where he was much employed, and is said by Baldinucci to have been in England in the reign of Queen Elizabeth, al- though he is not mentioned in Lord Orford's ' Anec- dotes ' ; he, however, painted that queen, and several of her court. His best historical works are at Genoa. For the church of San Pietro he painted the titular Saint at the feet of the Virgin, coloured with great chasteness and delicacy; for San Francesco, the altar-piece of the chapel of Prince Massa, representing Mary Magdalene ; and for the church of Santa Maria del Carmine two pictures of St. Simeon and St. Francis. He died in 1613. His son Uavide, who died in 1657, was a celebrated imitator of the old masters.

CORTE, Gabriel and Jcan de la. See De la Corte.

CORTE, Valeric, was bom at Pavia in 1530. He went to Venice, and under the guidance of Titian became an eminent painter of portraits. He after- wards settled at Genoa, where he met with great encouragement, but ruined himself by the folly of alchemy. He died at Genoa in 1580.

CORTELLINI, JIichele, who painted from about 1502 to 1542, was a follower of Francia. A ' Madonna enthroned, with four Saints,' by him, formerly in Sant' Andrea, is now in the gallery at Ferrara.

CORTESE. See Coubtois.

CORTICELLI. See Licinic., Giovanki Ant

CORTONA, II Gobbo da. See BoNzi.

CORTONA, Luca da. See Signobelli.

CORTONA, Pietro da. See Berrettini.

CORVI, DoMENico, an Italian painter, was bom at Viterbo in 1721. He was instructed by Mancini, and showed his great talent in his chief work, 'The Family of Priam with the dead body of Hector.' He was for some time Director of the Roman School and the instructor of Cades and Camucciui. He died in 1803.

CORVINUS, JoHANX August, a German en- graver, was bom in 1682. He worked chiefly for the booksellers, and principally engraved views and buildings, in a neat but stiff style. By him there is a set of ornaments for ceilings, after designs by Carlo Maria Pozzi ; most of the plates for a work entitled ' Representatio Belli ob Successionem in Regno Hispanico,' published at Augsburg, are by this artist ; and several for a book by Pfeffel on the churches and monasteries of Vienna, published at Augsburg, in 1724-25. He died in 1738.

COSA. Diego de, a Spanish engraver, who exe-