Page:Brinkley - Japan - Volume 8.djvu/461




 * , amateur potter, revives keramic industry in Kaga, 252.
 * Agano family, potters, 322–324.
 * Aichi Prefecture. See Owari.
 * Ai-no-suke, Takayama, potter, 218.
 * Aitaro, Takayama, potter, 218.
 * Aizu, faience, 394; porcelain, 394, 395.
 * Akahada ware, old, 357; second period, 357.
 * Akaji-kinga ware, 220.
 * Akamatsu Eiji, potter, 379.
 * Akazu, Owari, Katō Kagemasa's kiln, 278; Shuntai ware, 279.
 * Aki Zenkichi, potter, 229.
 * Alcock, Sir Rutherford, collector of keramics, 132.
 * Ama ware, 32.
 * Amakusa porcelain stone, discovery, 101.
 * Ama-no-Hibako, alleged potter, 7.
 * Ameya. See Masakichi.
 * Analysis. See Composition.
 * Ancestral worship, influence on art, 409.
 * Anderson, W., on the Shijo school of pictorial art, 194.
 * Annam ware, 373.
 * Antique, influence on keramic art, 409.
 * Ao-Bizen ware, 329; no longer produced, 330.
 * Aoki Eigorō, potter, 259.
 * Aoyama Koemon, potter, discloses method of enamelling ware, 181.
 * Arita, Hizen, Shonzui's home, 22, 28, 42; early faience, 25, 54; Korean potters, 55; discovery of porcelain stone, 55; secluded position, 57; early porcelain, 57, 59; development and character of enamelled porcelain, 61, 63; influence of Dutch trade, 76–79; Old Japan ware, 79–92; prosperity, 87; identification of the ware, 89; various decorations, 90–94; decline, 92, 129; egg-shell porcelain, 110; modern conditions, 113, 129; Old Japan for export not characteristic, 120–122; skill in decoration, 122; and Okawachi ware, 123, 126; scarcity of blue-and-white ware, 127; crackle, 128.
 * Asagiri ware, 374.
 * Asahi ware, 355.
 * Asami Gorosuke, potter, 229.
 * Asataro, Funaki, potter, 338.
 * Asukai Kyoshi, potter, 254.
 * Audsley, G. A., error on Japanese porcelain, 18, 39; on Japanese porcelain in European collections, 121.
 * Awaji ware, origin, 350; glazes, 351–353; decoration, 352, 353; modern, 352; varieties, 352; composition, 353.
 * Awata, Kyōto, potteries, one of Ninsei's workshops, 182; origin of the factory, 187–189; character of its faience, 189; Kenzan's ware, 190–192; Dōhachi family, 193–195; Kagiya family, 195; usual shapes, 196; Hozan ware, 197; pâte-sur-pâte decoration, 198, 200, 201; Taizan family, 199, 200; Tanzan family, 201; Bizan figure-decorated faience, 202; composition of the faience, 203; compared with Iwakura wares, 204–206.