Page:Brinkley - Japan - Volume 7.djvu/438

 * was also a sculptor named Deme Jōman, supposed to be a son of Deme Uman, who possessed great glyptic ability. No carvings except those of masks bear the name "Deme."
 * Dōki.&emsp;Minasuke.&emsp;Worker in cloisonné enamels; pupil of Hara Fujio.
 * Dōnin.&emsp;17th cent.&emsp;Metal-founder.
 * Dōraku.&emsp;19th cent. (d. 1895.)&emsp;A netsuke-carver of Osaka; pupil of Kaigyokusai.
 * Dōya.&emsp;17th cent.&emsp;Called also Yaichiro or Yazayemon. Art names, Yoshitoshi and Dōya. Metal-founder.
 * Dōya.&emsp;17th and 18th cent.&emsp;Called also Yaichiro or Yazayemon. Art name, Dōya. Metal-founder.
 * Dōya.&emsp;18th cent.&emsp;Called also Yazayemon, or Tomoyoshi. Metal-founder.
 * Dōya.&emsp;18th cent.&emsp;Ryōshin. Metal-founder.
 * Dōya.&emsp;18th cent.&emsp;Shichiyemon. Metal-founder.
 * Dōya.&emsp;19th cent.&emsp;Shichiyemon, or Yazayemon. Metal-founder.


 * Fukawa.&emsp;Kazuo.&emsp;Present day.&emsp;An eminent metal-sculptor.
 * Fusa.&emsp;18th cent. (d. 1776.)&emsp;A carver of Nara-mingyo. Called also "Kogan Shoyei Shinji," and commonly "Manzoku."
 * Garaku.&emsp;18th cent.&emsp;A skilled netsuke-carver of Osaka and pupil of Tawaraya Dembei.
 * Gechiu.&emsp;18th cent.&emsp;The Soken Kisho says: "Nothing is known of this artist, but his name appears upon some fine carvings."
 * Genryosai.&emsp;18th cent.&emsp;An ivory-carver of Kyoto; one of the best of the early netsuke-shi. A contemporary of Miwa, who worked in wood. Genryosai and Miwa were called the nifuku-tsui (pair of pictures) of their century.
 * Gesshō.&emsp;18th cent. (end).&emsp;A netsuke-carver of Nagoya. Bold and somewhat rough in style.
 * Gido.&emsp;19th cent. (d. 1837.)&emsp;A great bronze-caster of Yedo. Zenriusai Gido was his art name; Suwara Yasugoro, his ordinary name.
 * Giji.&emsp;(d. 1776.)&emsp;Hikokuro.&emsp;Metal-caster.
 * Gohei.&emsp;(d. 1782.)&emsp;Metal-founder.
 * Gorozayemon.&emsp;(d. 1786.&emsp; Metal-founder.
 * Gyokkin.&emsp;19th cent. (d. 1885.)&emsp;A skilled netsuke-shi of Kyoto.
 * Gyokumin.&emsp;19th cent. (d. 1 861.)&emsp;A netsuke-shi of Osaka.
 * Hada.&emsp;Kusaroku.&emsp;Present time.&emsp;Pupil of Shihō Ampei. A great expert of Kaga, where many of the finest modern bronzes are made.
 * Hakuriu.&emsp;19th cent.&emsp;(d. 1873.)&emsp;A netsuke-carver of Kyoto. He was a samurai of Unshiu, and his favorite subjects were dragons, tigers, and Dogs of Fo (shishi).
 * Hananuma.&emsp;Masakichi.&emsp;Present day.&emsp;A wood-carver of Yokohama who works for the foreign market.
 * Hara.&emsp;Fujio.&emsp;Worker in cloisonné enamels; pupil of Hara Kiyozaburo.
 * Hara.&emsp;Kiyosaburo.&emsp;A worker in cloisonné enamels; pupil of Isaburo.
 * Haruchika.&emsp;18th cent.&emsp;A skilled netsuke-carver.
 * Hasegawa.&emsp;Kumazo.&emsp;Present day.&emsp;A highly skilled metal-founder of Tokyo; works in the style of the great bronze casters Seimin and Tōun.
 * Hata.&emsp;Tomofusa.&emsp;18th cent.&emsp;A netsuke-carver of Mimasaka. He was a lacquerer by profession, and his netsukes are all lacquered.
 * Hayashi.&emsp;Shogoro.&emsp;A worker in cloisonné enamels; pupil of Kaji Tsunekichi.
 * Hidari.&emsp;Jingoro.&emsp;16th and 17th cent. (d. 1635.)&emsp;One of the greatest of Japanese wood-carvers.
 * Hidari.&emsp;Sōshin.&emsp;17th cent.&emsp;Son of Hidari Jingoro, and an almost equally skilled sculptor in wood.
 * Hidari.&emsp;Katsumasa.&emsp;17th and 18th cent.&emsp;Grandson of Hidari Jingoro. A renowned sculptor in wood.
 * Hidari.&emsp;Issan.&emsp;18th cent. (end).&emsp;A skilled carver of wooden netsuke who worked in Yedo.
 * Hijikata.&emsp;Tobioye.&emsp;A worker in cloisonné enamels; pupil of Kaji Tsunekichi.
 * Hirata.&emsp;Sōkō.&emsp;Present day.&emsp;A skilled uchimono-shi of Tokyo.
 * Hiratsuka.&emsp;Mohei.&emsp;19th cent. (d. 1840.)&emsp;A worker in cloisonné enamel who used translucid pastes with success for making ojime, Kagami-buta, and Kama-mono.