Page:Brinkley - Japan - Volume 7.djvu/422

 *Rein, J. J., on patina, 372.
 * Relief, early designs in, 72; in bronze castings, 140; origin and development in metal-carving, 220, 249, 261; varieties in metal carving, 241; in lacquer, 344.
 * Religious paintings, Japanese, 15, 23, 29, 30; technique, 31. See also Buddhism.
 * Renjō, Goto, sword-decorator, 223.
 * Repoussé, process in early statutes, 75; in sword-decoration, 220. See also Relief.
 * Ri-fu-ho, traditional carver, 193.
 * Rihei, Yamamoto, lacquerer, 362.
 * Riuki. See Nogami.
 * Riumin, sword-decorator, 310.
 * Riyoyei, Iwamoto, sword-decorator, 303.
 * Rōben, artist-priest, 86.
 * Rwaiken, sculptor, 116.
 * Ryōkin, wood-carver, 46.
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 * , sword-decorator, 310.
 * Sage-mono, money-pouch, 169–171; tobacco outfit, 171, 187–191; medicine-box, 173, 186; origin of the netsuke, 174–176; its decoration, 176–186; en suite designs, 191.
 * Saicho. See Dengyō Daishi.
 * Sairen, mask-carver, 166.
 * Sanehisa, Nagoshi, art-founder, 138.
 * Sanko, mask-carver, 165.
 * Sanraku, painter, 42.
 * Sansei-sha, firm of art-founders, 144.
 * Sanshō, Nagoshi, art-founder, 138.
 * Screen painting, 3.
 * Sculpture, Japanese, question of foreign influence, 19, 76, 78, 89, 193; superiority, 20; primitive conditions, 75; first sculptors, 76; wooden images by Tori and Shotoku, 77; bronze statues of seventh century, 79, 80; sculptors of the seventh century, 80; early culmination in Nara epoch, 80, 83, 85–89; influence of Buddhism, 82, 83, 106, 117–125; clay and dry-lacquer statues, 84; stone statues, 90–96; character of Heian epoch, 106–109; sculptors of the Heian epoch, 109; character of Military epoch, 110–115; portrait, 114, 115; sculptors of the Military epoch, 116; narrow range of motives, 123; the nude ignored, 125, 180; relation of the sculptor and bronze-caster, 148; development of wood-carving in interior decorations, 149–151, 154–161; mask carving and carvers, 164–168; of the netsuke, 176–186, 193; of the inro, 186; of the pipe-case, 190; origin of netsuke carving, 193–196; figure, 197–200; modern realism, 200; modern Kōun school of wood-carvers, 201–203; skill and demand in modern wood-carving, 203; Japanese knowledge of lights in, 315; training of sculptors, 319–321; source of designs, 321. See also Bronze, Fine arts, Sword-furniture.
 * Seiami, lacquerer, 345, 361.
 * Seichō, sculptor, 110.
 * Seigai Kanshichi, lacquerer, 362.
 * Seimin, art-founder, 142.
 * Senshiu Yoriyoshi, mask-carver, 168.
 * Senshu Yashamaru, mask-carver, 168.
 * Senyen, sculptor, 116.
 * Sesshiu, painter, 40.
 * Seventh Avenue academy of sculptors, 110; in Military epoch, 116. See also Sculpture.
 * Shadows. See Light and shade.
 * Shakudo alloy, composition, 232, 233; antiquity, 232; properties, 233.
 * Shakuzuru, mask-carver, 165.
 * Shiba Tachito, sculptor, 76; builds temples, 76.