Page:Brinkley - Japan - Volume 7.djvu/413

 *, mask-carver, 165.
 * Economic condition, ancient, 69.
 * Eishin, Hidari, decorative-sculptor, 161.
 * Eitoku, painter, 42.
 * Eiyen, sculptor, 116.
 * Enamel, as sword-decoration, 285; composition, 327; varieties, 327; introduction, 328, 329, 332; technique, 328, 376; former uses, 330–333, 375; modern development, 333–340; Japanese and Chinese, compared, 340.
 * Engraving. See Metal, Wood.
 * Ensei, sculptor, 110.
 * Enso, sculptor, 109.
 * Eshin, sculptor-priest, 109.
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 * , E. F., on Japanese pictorial art, 15.
 * Feudalism, influence on Japanese art, 38, 111.
 * Fine arts, Japanese, genesis, 17–19, 193; influence of Buddhism, 29, 82, 106, 119–125; continuity of development, 70; character of artists, 156, 161, 318; instinct, 177; attitude toward the nude, 180; canons, 191, 203; conscientiousness, 208; Japanese attitude toward, 225–227, 229; effect of the Revolution of 1867 and a foreign market, 322–325. See also Bronze, Enamel, Interior decoration, Lacquer, Metal-work, Pictorial art, Sculpture, Sword-furniture.
 * Forgery in Japanese fine arts, 324.
 * Fresco painting not employed by Japanese, 152.
 * Fujii family, sword-decorators, 280.
 * Fukurai Masatomo, mask-carver, 166.
 * Fukushima Kagan, figure-sculptor, 200.
 * Fusayoshi, Miyōchin, armourer, 267.
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 * Ganki, painter, 62.
 * Ganku, painter, 60.
 * Ganku, sculptor-priest, 110.
 * Gekkei, painter, 62.
 * Genjiro. See Jirozaemon Yoshimitsu.
 * Genkiu Mitsufusa, Deme, mask-carver, 167.
 * Genkiu Mitsunaga, Deme, mask-carver, 167.
 * Genkiu Mitsushige, Deme, mask-carver, 167.
 * Genkiu Mitsuzane, Deme, mask-carver, 167.
 * Genre painting, development, 44.
 * Genri Toshimitsu, Deme, mask-carver, 167.
 * Genri Yoshimitsu, Deme, mask-carver, 167.
 * Gensuke Hidemitsu, Deme, mask-carver, 167.
 * Gensuke Mitsukira, Deme, mask-carver, 167.
 * Gilding, method, 370.
 * Girdle pendants. See Sage-mono.
 * Girls' fête, dolls, 194.
 * Gold, use in Japanese art, 74, 229–231; surfacing debased, 231, 371; method of gilding with, 370; process of refining, 371.
 * Golden Pavilion, decoration, 153, 369.
 * Gongs, origin, 104; varieties, 104; tone, 105.
 * Gonse, Louis, on Japanese pipe cases, 190; on motives in sword-decoration, 227; on Japanese lacquer, 360; on the Goto family, 373; misapprehensions on sword-decorators, 373.
 * Gorobei, sword-decorator, 287.
 * Goto family, sword-decorators, 212, 219–225, 298; skill and motives of early masters, 252–260, 373; art influence, 260, 261, 272; branches, 299.
 * Gowland, W., on quality of Japanese bronze, 127; on method of