Page:Braddon--The Trail of the Serpent.djvu/319

Rh nometer, by Benson, to the silver turnip from the wide buff waistcoat of the farmer, everybody's watch is out, and nobody will believe but that his particular time is the right time, and every other watch, and the station clock into the bargain, wrong.

Two minutes to three. Clang goes the great bell. The station-master clears the line. Here it comes, only a speck of dull red fire as yet, and a slender column of curling smoke; but the London express for all that. Here it comes, wildly tearing up the tender green country, rushing headlong through the smoky suburbs; it comes within a few hundred yards of the station; and there, amidst a labyrinth of straggling lines and a chaos of empty carriages and disabled engines, it stops deliberately for the ticket-collectors to go their accustomed round.

Good gracious me, how badly those ticket-collectors do their duty!—how slow they are!—what a time the elderly females in the second class appear to be fumbling in their reticules before they produce the required document!—what an age, in short, it is before the train puffs lazily up to the platform; and yet, only two minutes by the station-clock.

Which is he? There is a long line of carriages. The eager eyes look into each. There is a fat dark man with large whiskers reading the paper. Is that Richard? He may be altered, you know, they say; but surely eight years could never have changed him into that. No! there he is! There is no mistaking him this time. The handsome dark face, with the thick black moustache, and the clustering frame of waving raven hair, looks out of a first-class carriage. In another moment he is on the platform, a lady by his side, young and pretty, who bursts into tears as the crowd press around him, and hides her face on an elderly lady's shoulder. That elderly lady is his mother. How eagerly the Sloppertonians gather round him! He does not speak, but stretches out both his hands, which are nearly shaken off his wrists before he knows where he is.

Why doesn't he speak? Is it because he cannot? Is it because there is a choking sensation in his throat, and his lips refuse to articulate the words that are trembling upon them? Is it because he remembers the last time he alighted on this very platform—the time when he wore handcuffs on his wrists and walked guarded between two men; that bitter time when the crowd held aloof from him, and pointed him out as a murderer and a villain? There is a mist over his dark eyes as he looks round at those eager friendly faces, and he is glad to slouch his hat over his forehead, and to walk quickly through the crowd to the carriage waiting for him in the station-yard. He has his mother on one arm and the young lady on the other; his old friend Gus Darley is with him too; and the four step into the carriage.

Then, how the cheers and the huzzas burst forth, in one great