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Aetat. 27.] While Johnson kept his academy, there can be no doubt that he was insensibly furnishing his mind with various knowledge; but I have not discovered that he wrote anything except a great part of his tragedy of Irene. Mr. Peter Garrick, the elder brother of David, told me that he remembered Johnson's borrowing the Turkish History of him, in order to form his play from it. When he had finished some part of it, he read what he had done to Mr. Walmsley, who objected to his having already brought his heroine into great distress, and asked him, 'how can you possibly contrive to plunge her into deeper calamity?' Johnson, in sly allusion to the supposed oppressive proceedings of the court of which Mr. Walmsley was register, replied, 'Sir, I can put her into the Spiritual Court!' Mr. Walmsley, however, was well pleased with this proof of Johnson's abilities as a dramatick writer, and advised him to finish the tragedy, and produce it on the stage. Johnson now thought of trying his fortune in London, the great field of genius and exertion, where talents of every kind have the fullest scope, and the highest encouragement. It is a memorable circumstance that his pupil David Garrick went thither at the same time, with intention to complete his education, and follow the profession of the law, from which he was soon diverted by his decided preference for the stage. Rh