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44 the fading light of the afternoon. The general and I used to think there was no bit of color equal to the delicate blue line of smoke which rose from the camp-fire, where the soldiers' suppers were being cooked. The effect of light and shade, and the varying tints of that perfect sky, were a great delight to him. The mellow air brought us sounds that had become dear by long and happy association—the low notes of the bugle in the hands of the musician practising the calls; the click of the currycomb as the soldiers groomed their horses; the whistle or song of a happy trooper. And even the irrepressible accordeon at that distance made a melody. It used to amuse us to find with what persistent ingenuity the soldiers smuggled that melancholy instrument. No matter how limited the transportation, after a few days' march it was brought out from a roll of blankets, or the teamster who had been bribed to keep it under the seat, produced the prized possession. The bay of the hounds was always music to the general. The bray of the mules could not be included under that head but it was one of those "sounds from home" to which we had become attached. Mingling with the melodies of the negro servants, as they swung the blacking-brushes at the rear of the tents, were the buoyant voices of the officers lying under the tent-flies, smoking the consoling pipe.

The twilight almost always found many of us gathered together, some idling on the grass in front of the camp-fire, or lounging on the buffalo robes. The one with the best voice sang, while all joined in the chorus.

We all had much patience in listening to what must