Page:Book of the Riviera.djvu/375

Rh That which strikes the visitor especially, coming from France, are the towers of the nobles. "Its thirteen mediæval towers," says Hare, "remind the Italian traveller of S. Gimignano, rising out of the plain like a number of tall ninepins set close together." I do not think there are thirteen; certainly not that number of lofty towers; but the earthquake of 1887 damaged, or threw down, several. The finest are the Torre Balestrino, the cathedral tower, and the Torre del Comune. Five of the old gates remain. The church of S. Maria in Fontibus, in Genoese Gothic, striped black and white marble, takes its name from a spring that rises under the altar, and was supposed to possess miraculous powers for the healing of lepers. A beautiful drive from Albenga up the valley leads to Garlenda, where are paintings by Domenichino, a S. Maurus, a Martyrdom of S. Erasmus, by Poussin; and a Nativity of Our Lady by Guercino. At the time of the French Revolution, when the troops were pouring over the frontier into Italy, the parishioners of Garlenda, fearful of being robbed of these artistic treasures, removed and hid them. The road to Garlenda passes through orchards of peaches and fields of narcissus.

"The valley is radiantly beautiful in spring. Overhead are tall peach trees with their luxuriance of pink blossom. Beneath these the vines cling in Bacchanalian festoons, leaping from tree to tree, and below all large melons, young corn, and bright green flax, waving here and there into sheets of blue flower, form the carpet of Nature. Sometimes gaily-painted towers and ancient palazzi with carved armorial gateways and arched porticoes, break in upon the solitude of the valley."—.