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Rh Theatres they possessed before, under the Greeks; but the brutal pleasures of the slaughter of men was an introduction by the Romans. The remains of these structures at Nîmes, Aries, Fréjus, Cimiez, testify to the crowds that must have delighted in these horrible spectacles. That of Nîmes would contain from 17,000 to 23,000 spectators; that of Aries 25,000; that of Fréjus an equal number.

Wherever the Roman empire extended, there may be seen the same huge structures, almost invariable in plan, and all devoted to pleasure and luxury. The forum, the temples, sink into insignificance beside the amphitheatre, the baths, and the circus. Citizens of the empire lived for their ease and amusements, and concerned themselves little about public business. In the old days of the Republic, the interests, the contests, of the people were forensic. The forum was their place of assembly. But with the empire all was changed. Public transaction of business ceased, the despotic Cæsar provided for, directed, governed all, Roman citizens and subject peoples alike. They were left with nothing to occupy them, and they rushed to orgies of blood. Thus these vast erections tell us, more than the words of any historian, how great was the depravity of the Roman character. But with the fifth century this condition of affairs came to an end. The last time that the circus of Aries was used for races was in 462. The theatre there was wrecked by a deacon called Cyril in 446. At the head of a mob he burst into it, and smashed the loveliest statues of the Greek chisel, and mutilated every article of decoration therein. The stage was garnished with elegant colonnets; all were thrown down and broken, except a few that were carried off to decorate churches,