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N the corner, against the blank south wall of Hobbett's store, Peter Siner saw the usual crowd of negroes warming themselves in the soft sunshine. They were slapping one another, scuffling, making feints with knives or stones, all to an accompaniment of bragging, profanity, and loud laughter. Their behavior was precisely that of adolescent white boys of fifteen or sixteen years of age.

Jim Pink Staggs was furnishing much amusement with an impromptu sleight-of-hand exhibition. The black audience clustered around Jim Pink in his pinstripe trousers and blue-serge coat. They exhibited not the least curiosity as to the mechanics of the tricks, but asked for more and still more, with the naïve delight of children in the mysterious.

Peter Siner walked down the street with his Messianic impulse strong upon him. He was in that stage of feeling toward his people where a man's emotions take the color of religion. Now, as he approached the crowd of negroes, he wondered what he could say, how he could transfer to them the ideas and the emotion that lifted up his own heart.

As he drew nearer, his concern mounted to anxiety. Indeed, what could he say? How could he present