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 Parson Ranson tried to make peace, but the Persimmon spread his hands in a gesture that included the three men. “Now, I ain't sayin' nothin',” he stated solemnly, “an' I ain't makin' no threats; but ef anything happens, you-all kain't say that nobody didn' tell nobody about nothin'.”

With this the Persimmon walked to the gate, let himself out, still looking back at Jim Pink, and then started down the dusty street.

Mr. Staggs seemed uncomfortable under the Persimmon's protruding yellow stare, but finally, when the roustabout was gone, he shrugged, regained his aplomb, and remarked that some niggers spent their time in studyin' 'bout things they hadn't no info'mation on whatever. Then he strolled off up the crescent in the other direction.

All this would have made fair minstrel patter if Peter Siner had shared the white conviction that every emotion expressed in a negro's patois is humorous. Unfortunately, Peter was too close to the negroes to hold such a tenet. He knew this quarrel was none the less rancorous for having been couched in the queer circumlocution of black folk. And behind it all shone the background of racial promiscuity out of which it sprang. It was like looking at an open sore that touched all of Niggertown, men and boys, young girls and women. It caused tragedies, murders, fights, and desertions in the black village as regularly as the