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 in order to alight upon it in a manner quite different to the oblique downward-shooting sweeps, with wings extended, whether vibrating or not, as practised in ordinary nuptial flight. There are three ways, possibly more; but three I have seen. In the first the bird shoots gracefully down, with the wings pressed to the sides, as already described. In the second the wings are raised straight, or almost straight, above the back, and this gives, perhaps, a still more graceful appearance. The third way is not nearly so usual a one as the other two—in fact, I only recall having seen it once. In this the wings are but half spread (whilst held in the ordinary manner) and motionless, and the bird descends in several sweeps to one side or the other, something after the manner in which a kite comes to the ground. No sound attends any of these forms of descent.

The cry of the snipe which I have alluded to, is of a curious nature, something like the word "chack-wood, chack-wood, chack-wood, chack-wood," constantly repeated, and having a regular rise and fall in it, which is why I call it a "see-saw note." Sometimes, when the bird is a little way off, it sounds very much like a swishing of the wings; but when these are really swished, as they often are—purposely, I believe, and as a nuptial performance—the difference is at once apparent. "Two snipes will often fly chasing each other, uttering this note, and making from time to time the loud swishing with the wings. Often, too, there will be a short, harsh cry—harsh, but with that wild, loved harshness that lives in the notes