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 into before and at each pause in the duel between Hamlet and Laertes, as arranged by Sir Henry Irving at the Lyceum. There were four or five birds together when this fight broke out, but I could not feel quite sure whether the non-fighting ones watched the fighting of the other two. If they did, I do not think they were at all keenly interested in it. Also, the fighting birds may sometimes, when they bowed, have done so to the birds that stood near, but it never seemed to me that this was the case, and it certainly was not so in most instances."

In the spring from the ground which one of the fighting birds sometimes makes, coming down on the other one's back and striking with the wings, we have, perhaps, the beginning of what may develop into a contest in the clouds, for let the bird that is undermost also spring up, and both are in the air in the position required; and it is natural that the undermost should continue to rise, because it could more easily avoid the blows of the other whilst in the air, by sinking down through it, than it could on the ground at such a disadvantage. Whether, in the following instance, the one bird jumped on to the other's back does not appear, but, as will be seen, the flight, which I had thought to be of a sexual and nuptial character, was the direct outcome of a scrimmage. "A short fight between two birds.—It is really most curious. There is a blow and then a bow, then a vigorous set-to, with hard blows and adroit parries, a pause with two profound bows, another set-to, and then the birds rise, one keeping just above the other, and ascend slowly, with quickly and constantly beating wings, in the way so often