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 a fine orange colour, and the male's drawing himself up so as to display them more fully, and then moving them quickly in this way before the female, suggests that they are appreciated by her. But it is not only the legs that are thus well exhibited. By drawing up the head, the throat, in which soft pure white and velvet black are boldly and richly contrasted, as well as the little smudged pug face and the bright orange-yellow bill, are all shown off to advantage.

The wings, however, in the instance which I observed and noted at the time, were kept closed. I can hardly think this is always the case. If it is, it may be because, though pretty enough—indeed lovely to an appreciative human eye—they yet do not in their colouring present anything like so bold and salient an appearance as the parts mentioned, with the display of which they might, perhaps, interfere, though I confess I do not think they would.

With the redshank this is different, for "the redshank, when standing with wings folded, is a very plain-looking bird, the whole of the upper surface being of a drabby brown colour, and the under parts not being seen to advantage. But as he rises in flight all is changed, for the inner surface of his wings—with, in a less degree, the whole under part of his body—are of a delicate, soft, silky white, looking silvery, almost, as the light falls upon it and causes it to gleam. This, with an upper quill-margin of bolder white on the wings, which, when they are closed, is concealed, now catches the eye, and the bird passes from insignificance into something almost distinguished, like a homely face flashing into beauty