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 print, representing the leading Jacobins of the day drinking 'a Birmingham toast' proposed by Dr Priestley. 'The—Head here!' i.e. in a Communion salver, which he holds aloft, himself drinking the toast from a chalice. The Jacobins are represented as early welcoming this toast. Sheridan pouring out a fresh glass of sherry, of which he has already emptied several bottles, is made to say, 'I'll pledge you that toast.' &hellip; Sir Cecil Wray, frugally drinking small beer, exclaims, 'O heavens! why, I would empty a Chelsea pensioners small-beer barrel in such a cause.' Fox, as chairman, with punch-bowl before him, cries, 'My soul and body, both upon the toast.' Horne Tooke, who sits next him, drinking gin, says, 'I have not drunk so glorious a toast since I was parson of Brentford'; while in the corner opposite Dr Priestley, his co-religionist and bosom friend Dr Theophilus Lindsey cries 'Amen! Amen!' as he drinks the toast in brandy. In the background are several cadaverous-looking pietists, supposed to represent Dr Priestley's congregation. The print is exceedingly vigorous in design and execution, but as full of venom as an etching from Gillray's needle could possibly be."

Seeing this etching, reminds one of many of the venomous, satirical, and revolting paintings of Antoine Wiertz in the Musée Wiertz in the Rue Vautier, Brussels (e.g. "Napoléon dans l'Enfer," "L'Enfant Brule," "L'Inhumation Précipitée," etc.).