Page:Biographical and critical studies by James Thomson ("B.V.").djvu/497

Rh Thus, instead of being at all penitent for the sins of harshness and obscurity of which he has been persistently accused from the appearance of "Sordello" even until now, he not only vindicates himself with a haughty and jovial self-confidence, but overwhelms his accusers with counter-charges of imbecility and humbug.

He moreover emphatically assures the public that it shall not penetrate into his inner personal history or nature; it may peep through his window, but shall not put foot over his threshold; he will not unlock his heart with a sonnet-key, and if Shakespeare did so he was thereby the less Shakespeare.

Another prominent feature in this book, and one which appears rather incongruous with the lip of scorn shot out at critics and public, is the lesson that it is no use trying to alter men, that it is best to let men remain as they are by nature, without troubling one's head with attempts to improve them. Thus: —

And again:—