Page:Biographical and critical miscellanies (IA biographicalcrit00presrich).pdf/77

 Of this vast amount of matter, produced within the brief compass of little more than ten years, that portion on which his fame as an author must permanently rest is his novels. We have already entered too minutely into the merits of these productions to require anything farther than a few general observations. They may probably claim to be regarded as having first opened the way to the successful cultivation of romantic fiction in this country. Great doubts were long entertained of our capabilities for immediate success in this department. We had none of the buoyant, stirring associations of a romantic age; none of the chivalrous pageantry, the feudal and border story, or Robin Hood adventure; none of the dim, shadowy superstitions, and the traditional legends, which had gathered like moss round every stone, hill, and valley of the olden countries. Everything here wore a spick-and-span new aspect, and lay in the broad, garish sunshine of everyday life. We had none of the picturesque varieties of situation or costume; everything lay on the same dull, prosaic level; in short, we had none of the most obvious elements of poetry: at least so it appeared to the vulgar eye. It required the eye of genius to detect the rich stores of romantic and poetic interest that lay beneath the crust of society. Brown was aware of the capabilities of our country, and the poverty of the results he was less inclined to impute to the soil than to the cultivation of it; at least this would appear from some remarks dropped in his correspondence in