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 The extract already cited by us from the first of our author's novels has furnished the reader with an illustration of his power in displaying the conflict of passion under high moral excitement. We will now venture another quotation from the work before us, in order to exhibit more fully his talent for the description of external objects.

Edgar Huntly, the hero of the story, is represented in one of the wild mountain fastnesses of Norwalk, a district in the western part of Pennsylvania. He is on the brink of a ravine, from which the only avenue lies over the body of a tree thrown across the chasm, through whose dark depths below a rushing torrent is heard to pour its waters.

"While occupied with these reflections, my eyes were fixed upon the opposite steeps. The tops of the trees, waving to and fro in the wildest commotion, and their trunks occasionally bending to the blast, which, in these lofty regions, blew with a violence unknown in the tracts below, exhibited an awful spectacle. At length my attention was attracted by the trunk which lay across the gulf, and which I had converted into a bridge. I perceived that it had already swerved somewhat from its original position; that every blast broke or loosened some of the fibres by which its roots were connected with the opposite bank; and that, if the storm did not speedily abate, there was imminent danger of its being torn from the rock and precipitated into the chasm. Thus my retreat would be cut off, and