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 for the mass of readers than the peculiarities of his other novels. Indeed, the author has succeeded perfectly in constantly stimulating the curiosity by a succession of as original incidents, perils, and hair-breadth escapes as ever flitted across a poet's fancy. It is no small triumph of the art to be able to maintain the curiosity of the reader unflagging through a succession of incidents, which, far from being sustained by one predominant passion, and forming parts of one whole, rely each for its interest on its own independent merits.

The story is laid in the western part of Pennsylvania, where the author has diversified his descriptions of a simple and almost primitive state of society with uncommonly animated sketches of rural scenery. It is worth observing how the sombre complexion of Brown's imagination, which so deeply tinges his moral portraiture, sheds its gloom over his pictures of material nature, raising the landscape into all the severe and savage sublimity of a Salvator Rosa. The somnambulism of this novel, which, like the ventriloquism of "Wieland," is the moving principle of all the machinery, has this advantage over the latter, that it does not necessarily impair the effect by perpetually suggesting a solution of mysteries, and thus dispelling the illusion on whose existence the effect of the whole story mainly depends. The adventures, indeed, built upon it are not the most probable in the world; but, waving this—we shall be well rewarded for such concession—there is no farther difficulty.