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 sunshine, without the relief of a shadow to contrast it, is out of nature, and must bring discredit on the whole. Nor is it much better when a sort of twilight mystification is spread over a man's actions, until, as in the case of all biographies of Cowper previous to that of Southey, we are completely bewildered respecting the real motives of conduct. If ever there was a character above the necessity of any management of this sort, it was Scott's; and we cannot but think that the frank exposition of the minor blemishes which sully it, by securing the confidence of the reader in the general fidelity of the portraiture, and thus disposing him to receive, without distrust, those favourable statements in his history which might seem incredible, as they certainly are unprecedented, is, on the whole, advantageous to his reputation. As regards the moral effect on the reader, we may apply Scott's own argument for not always recompensing suffering virtue, at the close of his fictions, with temporal prosperity—that such an arrangement would convey no moral to the heart whatever, since a glance at the great picture of life would show that virtue is not always thus rewarded.

In regard to the literary execution of Mr. Lockhart's work, the public voice has long since pronounced on it. A prying criticism may discern a few of those contraband epithets and slipshod sentences, more excusable in young "Peter's Letters to his Kinsfolk," where, indeed, they are thickly sown, than in the production of a grave Aristarch of