Page:Bibliography of the Sanskrit Drama.djvu/44



Abhijñānaśakuntalā see Kālidāsa.

Abhinavagupta, a dramatic critic, mentioned in SD. 506.

Abhinavarāghavānandā see Maṇika.

Abhirāmamaṇi see Sundara Miśra.

Adbhutadarpaṇa see Mahādeva.

Adbhutarāghava see Vanamāli.

Adbhutaraṅga prahasana A 1. p. 8.

Adbhutārṇava see Kavibhūṣaṇa.

Aditikuṇḍalāharaṇa see Kādamba.

Ahalyāsaṃkrandana A 1. p. 37.

Aindavānanda see Rāmacandra Kavi.

Ambāla see Varadācārya.

Ambikādatta Vyāsa Sāmavata, an original drama in six acts on the Pauranik legend of Sāmavān. Preceded by an essay on the dramatic art and accompanied by short notes by Babunandana and followed by a Prākrit-Sanskrit glossary. Bankipur, 1888, pp. 19 + 139 + 14.

Ammāl Vedāntavilāsa A 1. p. 29.

Amogharāghava mentioned in RS.

Amṛtacandra Sūri Samayasāra L. app. p. 81.

Amṛtodaya A 1. p. 29.

Amṛtodaya see Gokulanātha.

Ānandadhara Mādhavānala A 1. p. 450 = 2 Mss.; A 3. p. 97.

Ānandakośa prahasana mentioned in RS.

Ānandalatikā see Kṛṣṇanātha.

Ānandarāghava see Cūḍāmaṇi.

Ānandarāya see Vedakavisvāmin.

Ānandarāya Makhin, son of Nārāyaṇa or Nṛsiṃharāya (A 2. p. 9), wrote about 1780, Jīvānandana A 2. p. 201.

Idem Jīvānandana. Edited by Durgāprasāda and Parab. Bombay, 1891, pp. 3 + 108. Kāvyamālā, no. 27.