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xvi in her husbands and lover, became a mere reflection of him, and was happy again.

In the compilation of this volume I have been guided by the desire to give the largest possible representation to the prominent authors of the Russian short story, and to present specimens characteristic of each. At the same time the element of interest has been kept in mind; and in a few instances, as in the case of Korolenko, the selection of the story was made with a view to its intrinsic merit and striking qualities rather than as typifying the writer's art. It was, of course, impossible in the space of one book to exhaust all that is best. But to my knowledge, the present volume is the most comprehensive anthology of the Russian short story in the English language, and gives a fair notion of the achievement in that field. All who enjoy good reading, I have no reason to doubt, will get pleasure from it, and if, in addition, it will prove of assistance to American students of Russian literature, I shall feel that the task has been doubly worth the while.

Korolenko's Shades and Andreyev's Lazarus first appeared in Current Opinion, and Artzybashev's The Revolutionist in the Metropolitan Magazine. I take pleasure in thanking Mr. Edward J. Wheeler, editor of Current Opinion, and Mr. Carl Hovey, editor of the Metropolitan Magazine, for permission to reprint them.