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 might be said that ceremonies are to the social body what clothing is to the individual body: they owe their seriousness to the fact that they are identified, in our minds, with the serious object with which custom associates them, and when we isolate them in imagination, they forthwith lose their seriousness. For any ceremony, then, to become comic, it is enough that our attention be fixed on the ceremonial element in it, and that we neglect its matter, as philosophers say, and think only of its form. Every one knows how easily the comic spirit exercises its ingenuity on social actions of a stereotyped nature, from an ordinary prize-distribution to the solemn sitting of a court of justice. Any form or formula is a ready-made frame into which the comic element may be fitted.

Here, again, the comic will be emphasised by bringing it nearer to its source. From the idea of travesty, a derived one, we must go back to the original idea, that of a mechanism superposed upon life. Already, the stiff and starched formality of any ceremonial suggests to us an image of this kind. For, as soon as we forget the serious object of a solemnity or a