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 between the four terms. In order to read well we need only the intellectual side of the actors art; but in order to act well one must be an actor in all one's soul and body. In just the same way, poetic creation calls for some degree of self-forgetfulness, whilst the wit does not usually err in this respect. We always get a glimpse of the latter behind what he says and does. He is not wholly engrossed in the business, because he only brings his intelligence into play.

So any poet may reveal himself as a wit when he pleases. To do this there will be no need for him to acquire anything; it seems rather as though he would have to give up something. He would simply have to let his ideas hold converse with one another "for nothing, for the mere joy of the thing!" He would only have to unfasten the double bond which keeps his ideas in touch with his feelings and his soul in touch with life. In short, he would turn into a wit by simply resolving to be no longer a poet in feeling, but only in intelligence.