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 it will pass unnoticed. But sometimes he reaches a considerable height, and some of his works breathe a vigorous, truly epical spirit. Very good also are his unassuming, direct studies from nature.

The following Petrograd painters must be mentioned here: the decorator and landscapist Dobuzhinsky, whose modest but admirably delicate sketches present for the most part, views of Petrograd, or quiet, deserted nooks of provincial towns; the classically strict Yaremich, the greatest expert in printing-types, who is equally excellent in his printing works and in his placid, silvery landscapes; the admirable calligrapher and decorator Zamiraylo; the wood engraver Miss A. P. Ostroumov, whose prints present charming and pictorially delicate landscapes, of an admirable style, and another lady, Mme. Lindeman, who is a worthy successor of Mary Yakunchikov in the sphere of "paysage intime" and painting for children.

Here must also be named Musatov (died in 1905), whose art is the Moscow modification of the artistic formula represented in Petrograd by Somov. This excellent master chose the epoch of the forties and fifties of the past century as the object of his delicately fragrant and fascinating art. Despite a certain analogy with Somov, he followed a wholly distinctive road. Somov is the artist of intimate moods, and of