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 bosom of Mr. Slope; and she was soon deep in whispered intercourse with that happy gentleman, who was allowed to find a resting-place on her sofa. The signora had a way of whispering that was peculiarly her own, and was exactly the reverse of that which prevails among great tragedians. The great tragedian hisses out a positive whisper, made with bated breath, and produced by inarticulated tongue-formed sounds, but yet he is audible through the whole house. The signora however used no hisses, and produced all her words in a clear silver tone, but they could only be heard by the ear into which they were poured.

Charlotte hurried and skurried about the room hither and thither, doing, or pretending to do, many things; and then saying something about seeing her mother, ran up stairs. Eleanor was thus left alone with Bertie, and she hardly felt an hour fly by her. To give Bertie his due credit, he could not have played his cards better. He did not make love to her, nor sigh, nor look languishing; but he was amusing and familiar, yet respectful; and when he left Eleanor at her own door at one o'clock, which he did by the bye with the assistance of the now jealous Slope, she thought that he was one of the most agreeable men, and the Stanhopes decidedly the most agreeable family, that she had ever met.

HE Rev. Francis Arabin, fellow of Lazarus, late professor of poetry at Oxford, and present vicar of St. Ewold, in the diocese of Barchester, must now be introduced personally to the reader. And as he will fill a conspicuous place in the volume, it is desirable that he should be made to stand before the reader's eye by the aid of such portraiture as the author is able to produce.

It is to be regretted that no mental method of daguerreotype or photography has yet been discovered, by which the characters of men can be reduced to writing and put into grammatical language with an unerring precision of truthful