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 EROTICS AND ÆSTHETICS

arguments which are in common use to justify a high opinion of woman have now been examined in all except a few points to which I shall recur, from the point of view of critical philosophy, and have been controverted. I hope that I have justified my deliberate choice of ground, although, indeed, Schopenhauer's fate should have been a warning to me. His depreciation of women in his philosophical work "On Women," has been frequently attributed to the circumstance that a beautiful Venetian girl, in whose company he was, fell in love with the extremely handsome personal appearance of Byron; as if a low opinion of women were not more likely to come to him who had had the best not the worst fortune with them.

The practice of merely calling any one who assails woman a misogynist, instead of refuting argument by argument, has much to commend it. Hatred is never impartial, and, therefore, to describe a man as having an animus against the object of his criticism, is at once to lay him open to the charge of insincerity, immorality, and partiality, and one that can be made with a hyperbole of accusation and evasion of the point, which only equal its lack of justification. This sort of answer never fails in its object, which is to exempt the vindicator from refuting the actual statements. It is the oldest and handiest weapon of the large majority of men, who never wish to see woman as she is. No men who really think deeply about women retain a high opinion of them; men either despise women or they have never thought seriously about them.