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Rh The plan of the temple was the plan of the looped pillar which stood upon the brow of the Peak, and as we rightly guessed, its dimensions were the same.

At intervals around this ellipse the fiery columns flared, but otherwise the place was empty.

No, not quite, for at the head of the apse, almost between two of the flame columns, stood a plain, square altar of the size of a small room, in front of which, as we saw when we drew nearer, were hung curtains of woven silver thread. On this altar was placed a large statue of silver, that, backed as it was by the black rock, seemed to concentrate and reflect from its burnished surface the intense light of the two blazing pillars.

It was a lovely thing, but to describe it is hard indeed. The figure, which was winged, represented a draped woman of mature years, and pure but gracious form, half hidden by the forward-bending wings. Sheltered by these, yet shown between them, appeared the image of a male child, clasped to its bearer's breast with her left arm, while the right was raised toward the sky. A study of Motherhood, evidently, but how shall I write of all that was conveyed by those graven faces?

To begin with the child. It was that of a sturdy boy, full of health and the joy of life. Yet he had been sleeping, and in his sleep some terror had over-shadowed him with the dark shades of death and evil. There was fear in the lines of his sweet mouth and on the lips and cheeks, that seemed to quiver. He had thrown his little arm about his mother's neck, and, pressing close against her breast, looked up to her for safety, his right hand and outstretched finger pointing downwards and behind him, as though to indicate whence the danger came. Yet it was passing, already half-forgotten, for the upturned eyes expressed confidence renewed, peace of soul attained.

And the mother. She did not seem to mock or chide his fears, for her lovely face was anxious and alert. Yet upon it breathed a very atmosphere of unchanging