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170 on earth, as he entered the house of the physician. Here he found himself in a wholly novel atmosphere. Joyous singing in a young girl's voice, accompanied by an organ, reached his ears even on the ground floor. The physician led his pupil into a large room, and left him alone for a while. Bright colored pictures looked down on him from all sides, wantonly attracting remark: here a Leda rising from her bath, an oil painting in fresh, alluring tints; there a Venus, as she arose in all her glorious perfection from the foam; near her a Semele on whom a cloud was sinking; on the opposite wall hung Flemish still-life, fruit and flowers, landscapes inimitable in truth of coloring. Little statuettes of white and tinted marble stood on the inlaid stands. Canaries in gilt cages repeated their well-studied songs, and between whiles interposed their powerful native wood-notes. Roses, tulips, carnations, lilies, and anemones bloomed round the windows in ornamental pots, and drew attention there. The physician returned, aud explained the beauties of the pictures to Baruch; some he took down, and dusted them with a sponge for a better view. Especially long he lingered over a picture of natural solitude by his contemporary, Jacob Ruysdael, and a rich landscape by his rival Nicolaus Berghem, then still alive. He then led Baruch into another room, that created even greater astonishment. The walls were hung with