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 head, and his eyes are further apart than those of any man I remember just now. A complete Englishman, full of life and energy though now seventy-four, very witty and clever, better acquainted with America than most of his countrymen, and an honor to England. Having shown me the work he was at, a small vignette cut on a block of box-wood not more than three by two inches, representing a dog frightened during the night by false appearances of men formed by curious roots and branches of trees, rocks, etc., he took me upstairs and introduced me to his three daughters—all tall, and two of them with extremely fine figures; they were desirous to make my visit an agreeable one and most certainly succeeded. I met there a Mr. Goud, and saw from his pencil a perfect portrait of Thomas Bewick, a miniature, full-length, in oil, highly finished, well drawn and composed. The old gentleman and I stuck to each other; he talked of my drawings, and I of his woodcuts, till we liked each other very much. Now and then he would take off his cotton cap, but the moment he became animated with the conversation the cap was on, yet almost off, for he had stuck it on as if by magic. His eyes sparkled, his face was very expressive, and I enjoyed him much more, I am sure, than he supposed. He had heard of my drawings and promised to call early to-morrow morning with his daughters and some friends. I did not forget dear John's wish to possess a copy of his work on quadrupeds, and having asked where I could procure one, he answered "Here." After coffee and tea had been served, young Bewick, to please me, brought a bagpipe of a new construction, called a "Durham," and played simple, nice Scotch and English airs with peculiar taste; the instrument sounded like a hautboy. Soon after ten the company broke up, and we walked into Newcastle. The streets were desolate, and their crookedness and narrowness made me feel the more the beauty of fair Edinburgh.