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 January 24. My second visit to Sir Walter Scott was much more agreeable than my first. My portfolio and its contents were matters on which I could speak substantially, and I found him so willing to level himself with me for a while that the time spent at his home was agreeable and valuable. His daughter improved in looks the moment she spoke, having both vivacity and good sense.

January 28. Yesterday I had so many visitors that I was quite fatigued; my rooms were full all the time, yet I work away as if they were so many cabbages, except for a short time taken to show them a few drawings, give them chairs, and other civil attentions. In the evening I went to the theatre to see the "Merchant of Venice;" the night was violently stormy, the worst I remember for years. I thought of the poor sailors, what hard lives they have.

January 30, Tuesday. The days begin to show a valuable augmentation. I could this morning begin work at eight, and was still at my easel at four. A man may do a good deal on a painting in eight hours provided he has the power of laying the true tints at once, and does not muddy his colors or need glazing afterwards. Now a query arises. Did the ancient artists and colorists ever glaze their work? I sometimes think they did not, and I am inclined to think thus because their work is of great strength of standing, and extremely solid and confirmed on the canvas—a proof with me that they painted clean and bright at once, but that this once they repeated, perhaps, as often as three times. Glazing certainly is a beautiful way of effecting transparency, particularly over shadowy parts, but I