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 separate a house from its plan and foundations. So it is in decoration; often thought of lightly as something trivial and superficial, a merely aimless combination of curves and colours, or a mere réchauffé of the dead languages of art, but really demanding the best thought and capacity of a man; and in the range of its application it is not less comprehensive.

The mural painter is not only a painter, but a poet, historian, dramatist, philosopher. What should we know, how much should we realise, of the ancient world and its life without him, and his brother the architectural sculptor? How would ancient Egypt live without her wall paintings—or Rome, or Pompeii, or Mediæval Italy? How much of beauty as well as of history is contained in the illuminated pages of the books of the Middle Ages! 45