Page:Arts & Crafts Essays.djvu/64

 the panels of a coffer, of a ceiling, a wall or an altar-piece the painter was alike—however different his theme and conception—possessed with a paramount impulse to decorate, to make the space or surface he dealt with as lovely to the eye in design and colour as he had skill to do.

The art of painting has, however, become considerably differentiated since those days. We are here in the nineteenth century encumbered with many distinctions in the art. There is obviously much painting which is not decorative, or ornamental in any sense, which has indeed quite other objects. It may be the presentment of the more superficial natural facts, phases, or accidents of light; the pictorial dramatising of life or past history; the pointing of a moral; or the embodiment of romance and poetic thought or symbol. Not 40